X.
COTES DE GENEVE
This type of decoration is normally used on the visible surface
of bridges and bars. Côtes de Genève, which are purely decorative
by nature, are not compatible with functional surfaces, since
the quantity of matter removed would diminish their precision.
These are regular parallel lines which give the part a ribbed
look which is currently highly prized in the top-of-the-range
segment. Their appearance must be impeccable and requires great
dexterity and know-how
The
hand-crafted method
Côtes de Genève are achieved using extremely hard wooden pads
(boxwood) cut out to the chosen diameter and coated with an abrasive
before being placed on a lathe. The forward and backward motion
of the abrasive marks the surface of the part, forming parallel
straight or circular lines according to fashions and tastes. It
is now possible to create côtes de Genève industrially, using
numerically controlled machines which progressively move the parts
to be decorated forward. This system is effective for large series
and gives a clear-cut and regular result. However, all parts re
identical and cannot be personalised as they can by hand crafting.
XI.
SNAILING
This
is a spiral-shaped pattern generally made on ratchets, barrels
and barrel-covers. This type of decoration is achieved by a grinding-wheel
turning over the surface of a part and directed so as to create
spiral-shaped lines.
XII.
SUNRAY-BRUSHING
Sunray-brushing is a type of decoration made up of lines which
all have the same point of intersection and make the decorated
part look like a sun with darting rays. This type of decoration
is achieved by a bell-shaped grinding-wheel which is turned in
the opposite direction to the part and is oriented in such a way
as to form straight or circular lines which all pass through the
same centre point.
XIII.
CIRCULAR-GRAINING
A pattern generally used on the visible face of wheels in a watch
movement. Circular-graining is an operation that consists of smoothing
the face of the wheel with a slate stick or buff. The wheel turns
and the slate stick is pressed against the face. This type of
finish creates fine circular lines and enhances radiance.
Harmonious proportions, remarkable quality of craftsmanship.
The fruit of a passion placed in the service of an informed clientele.
As already mentioned, a complex watch is not necessarily a high-end
watch; in classifying the perfection of a watch, each detail must
be taken into consideration to achieve the best result in terms
of finish and aesthetic elegance.
Only an expert eye will be able, according to the resulting surface
state, to define the working method used which sometimes proves
a genuine label of finishing quality. In a nutshell, aesthetic
appearance must in no way attempt to compensate for any technical
deficiency, nor must it be detrimental to the smooth running of
the complication.
A watch is and remains a time measurement device, but a high-tech
product is also an object whose aesthetic quality is a determining
factor in purchase. Fine watchmaking is an encounter between humankind
and its history, a blend of traditional know-how and cutting-edge
technology in the quest for the ultimate in perfection.
See: Bevelling
and finishes...(VIII)